Monday, February 28, 2011

The Body Politic


On Sunday morning, before I went to the office, I was catching up the tweets of my friends.  I was intrigued especially by Adam Rothenberg's tweet linking to his interview with Leslie Hendrix at his wonderful blog Adaumbelle's Quest.

Anybody who reads my blog regularly knows that I'm a Law & Order devotee.  One of the greatest things about living in New York where the original (and still Law & Order SVU and Law & Order Criminal Intent) filmed is the opportunity to see many of its amazing actors on the stage.  Leslie Hendrix plays "Rodgers," the dry medical examiner.  

When my boss dismissed me for the day, I printed a BroadwayBox.com discount for The Body Politic and took advantage of the proximity of 59E59 Theatres to my office building, a mere block away.   I could have gone home to rest, but nothing is more relaxing to me than losing myself in a dark theatre for a few hours. 

What I expected to be a political drama turned out to be a much needed light romantic comedy about the behinds the scenes of two presidential campaigns.  The cast Matthew Boston, Eve Danzeisen, Brian Dykstra, Leslie Hendrix, Daren Kelly, and Michael Puzzo.  

I was completely charmed by the opposites-attract scenario between two of the staffers, the manipulation of each other and their candidates and co-staffers, even cross-camp manipulations.    What starts out as just an attraction leads to more in the end, on several levels.   The characters are funny, including the two presidential candidates, one clearly a Southerner.   There is a really funny bedroom scene, that's pretty sexy too. Leslie Hendrix plays a tough, sharped tongue professional and she's fun to watch in action.  It's a look at the right and the left, ideological differences and even how things really aren't that different between the two parties.   The ending was so sweet and unexpected that I even dab my eyes. 

And guess what?  No surprises, I'm sure, that most of the cast has been on Law & Order.  The Body Politic, written by Richard Abrons and Margarett Perry, who also directs, is an At Hand Theatre Company production.  The play runs is a through March 6th at 59E59 Theatres.


Happy Birthday Bernadette!

Wednesday, February 23, 2011

Kate Baldwin at American Songbook

On Saturday night, we were back at The Allen Room for another Broadway Baby in Lincoln Center's American Songbook Series.   This time the Broadway Baby was Kate Baldwin, large with baby herself.   Joyfully, Kate is seven months pregnant with her first child with husband Graham Rowat.  

Kate built this show around the fact that she is an expectant mom and that life is taking her in a new direction, including a move from the Upper West Side to Brooklyn.  She shared her worries about whether she'll be a good mom, be able to maintain her career and her voice, and especially if the baby will like sports rather than musical theatre. Kate has a wicked sense of humor and she accentuates her point with a devilish laugh.   Beautiful and smart, she is an entertainer who enthralls with the sheer beauty and versatility of her voice.  

The last time we saw her, she was concentrating on Burton Lane and E. Y. Harburg tunes.  She showed off her versatility at this show by throwing in a wide range of composers from Kern, Joel, Shire, Sondheim and even Lennon and McCartney.    It was always sweet and sometimes slightly naughty.   She opened with "Something's Coming," from West Side Story  - with a wink and nod to her baby belly.   Who knew those lyrics could be so funny?  

The evening offered sublime ballads, as well as silly ("Sesame Street Medley: by Jeff Moss tailored for her new neighborhood) and even a little shock and hilarity ("Fuck Was I" by Jenny Owen Youngs, which was worth hearing only if for Karigee's laughter).   Other songs were, "Haven't We Met" (Rankin), "Hey, There and Everywhere" (Lennon and McCartney), "The Boston Beguine" (Sheldon Harnick, with whom she's sharing the stage next month at Feinstein's), "My Boy / Now I Have Everything" (Kern, Harnick, Bock), More (Sondheim), Warm All Over (Loesser), Have Feet, Will Dance (Fields and Lane, and incidentally my favorite tune from Kate's fantastic solo album Let's See What Happens), "April Folled Me / My Foolish Heart" (Feilds and Kern; Washington and Young); "Bill" (Kern, Wodehouse), "You're My Home" (Joel), and "The Story Goes On" (Shire, Maltby Jr.).  

She encored, and ended the evening perfectly, with her signature song, "How Are Things in Glocca Morra?" from Finian's Rainbow.  All I know is that she is going have one lucky baby if she sings him lullabies. 
I'll be at Feinstein's next month to see her with Sheldon Harnick - how can I miss the joy she shares?  She's one of my favorites and I love that we're having so many opportunities to hear her sing, even if it's not currently in a Broadway show.  

I thought the Feinstein's show might be the last time I would have to hear her until she returns from maternity leave but last night, I came home to find a mailer advertising another chance to hear her in something that will really show off her versatility - Joan of Arc at the Stake, a dramatic oratorio by Arthur Honegger based on Paul Claudel's poem, with Shuler Hensley and The Little Orchestra Society.  It's at 7:30 pm on March 21st at Alice Tully Hall.   See you there!

Saturday, February 19, 2011

Tonight: Kate Baldwin at American Songbook

Tonight, I again join in the American Songbook at Lincon Center with the thoroughly delightful American Girl Kate Baldwin!

Raúl Esparza - The Cuban American Songbook


There was a full moon over New York City last night and it was impossible not to get caught between it and Raúl Esparza in the beautiful Allen Room of Lincoln Center Jazz in the Time Warner Center.   It's a room that boasts both beautiful acoustics and a beautiful view of Columbus Circle and the southern strip of Central Park.  

Surrounded by Cuban percussion section, horns, strings, guitars and piano, Raúl Esparza opened his American Songbook concert with Cole Porter's Begin the Beguine, a quintessentially American composer's music set to a Latin beat.
It set the tone of the joy of music that was to come. 

Raúl, a first generation Cuban American, was raised in Miami to parents who immigrated to Delaware from Cuba in the 1960s.  He shared his heritage of Cuban music with a mix of Broadway, which has become his career.    While he was dancing beautifully on the stage, he had us dancing in our seats to salsa and bossa nova beats.

He pointed out that while this music has roots from Cuba, Dominican Republic, Puerto Rico, etc., it was made famous and sustained right here in New York.   He paid much homage to salsa greats, especially Celia Cruz and
Benny Moré.     Latin songs included in the set were "Sabor a Mi," "Quimbara,"
"Mata Siguaraya," "Drume Negrita," "Yo Se Que Te Amare," "Wanda," and "Dolor y Perdon."   He was smoking hot on these tunes.   I wanted to rush the stage and dance with him.   I would love to hear him do these again and I was not alone, as evidenced by the gentleman who yelled out, "Hey Raúl, how about a Cuban album?!"  He said maybe he would, with this band. 

He didn't disappoint his Broadway fans when he also paid homage to Stephen Sondheim as well and including songs from other shows he appeared in, including "Come to your Senses" from Tick Tick Boom and "Petrified" from Taboo.    From the films Reds and Dick Tracey, he performed Sondheim's "Goodbye for Now" and "What Can You Lose?"   He thrilled the audience with thrilling performances of "Marry Me a Little" and "Being Alive", the former of which brought us to our feet.

He did two sold-out sets - Kari and I went to the 10:30 set.   Raúl, funny and with killer good looks, brought humor and just the right amount of auto-biography to this show, sharing his heritage and love of performance.  His band was fantastic - at least three percussionists, two of whom were only on bongo.  The band leader, also on guitar was a handsome gentleman who danced along to the music as well as he directed.   There were also a backup singer, two pianists, two trumpets, a flute, trombone, saxophone and violin, a cellist and a stand up base. 

One of the pianists was Mary-Mitchell Campbell, serving double-duty as Raúl's music director.   A brilliant orchestrator, Mary-Mitchell is also one of the only women conducting a Broadway orchestra and is now at the helm of The Addams Family.   She is also the founder of Artists Striving to End Poverty, or ASTEP, of which Raúl sits on the Board of Directors.


The next time I see Raúl will be in the Broadway revival of Tom Stoppard's Arcadia, which begins previews on February 26th.  In fact, he ended the party last night around midnight so he could report for rehearsals for his "day job" this morning. 
 
I've always enjoyed Latin music and have been listening all day to these songs introduced to me by Raul just to keep that sweet feeling of last night going. It was a perfect evening of music and laughter and I danced my way home with a smile on my face.

Tuesday, February 15, 2011

From Nixon in Hawaii to Nixon in China

That's me in the blue dress with my mom.   The boys were our neighbors from Kaneohe Marine Base, Hawaii.   We went to see President Nixon's arrival in Hawaii circa 1969.  Tonight, I see President Nixon again, but this time operatically in John Adam's Nixon in China at the Met Opera.  Nixon is played by James Maddalena.   I love contemporary American opera - I can hardly wait!




Monday, February 14, 2011

Sunday, February 13, 2011

Happy Angie Day, indeed


For the last five years, I have celebrated Angie Day.  Every year around January 30th, magical things connected to Angela Lansbury happen therefore I proclaimed it a day of celebration.
 
This year, to the celebrate the Fifth Annual Angie Day, I threw a party.  We listened to some select recordings and then watched home videos of stage performances, a couple of episodes of Murder, She Wrote and ended the evening with The Manchurian Candidate, which is arguably her best film appearance and one of the best, period.     Needless to say, laughs and champagne flowed. 

Like clockwork, within days of Angie Day, yesterday I was informed by my friend Susan, a Scot and fellow Angie fan, of more joyous news.  Angela will join the British series Downton Abbey as "Lady Elizabeth Crawley." 

Fortunately for us yanks, Downton Abbey was imported by PBS as part of its Masterpiece Classic series.   Downton Abbey, the story of a noble family and their servants in the years immediately prior to World War I,  was written by Julian Fellowes, who won the Oscar for Gosford Park.

My fellow Anglophiles and I were glued to this series on PBS and I have already watched and re-watched the UK version on iTunes.    The cast is out of this world and Dame Maggie Smith as "Lady Violet the Dowager Countess," is nothing less than divine.  I have no doubt that we will be in for a treat as we watch Angela as "Lady Elizabeth" face off against "Lady Violet."  I believe the two characters are sisters-in-law and most likely nemeses.

Filming for Series 2 will begin in March and will air on ITV in the UK in the fall, according to the Guardian.  Of course, we may not see the episode on PBS until the next Angie Day, but we know it's on its way!  

Furthermore, Angela, who has just finished filming Mr. Popper's Penguins
 which is due out in theatres this summer, will be in England around March.  One could speculate that she might extend her stay  across the pond and accept the role as "Mrs. Higgins" in the upcoming West End production of Pygmalion , opposite her former co-star Rupert Everett.  Could 2011 be the year that her CBE is finally upraded to DBE?   She's already a Grand Dame to us after all. 

So, happy Angie Day everybody!

Friday, February 11, 2011

Voted Top 75 Music and Arts Enthusiast

eCollegeFinder has awarded my Adventures in the Endless Pursuit of Entertainment as one of the 75 Top Music and Arts Enthusiasts!   eCollegeFinder is supporting the cause of professionals and advocates "by giving voice to the best on the Internet." 

"The Top 75 Music & Arts Enthusiasts award recognizes the websites that best represent the voice of music and arts in both culture and education."

I don't know who nominated me, but I am honored.    Congratulations to all of my fellow Top 75!

 
•24 Usable Hours
•A Journey Round my Skull
•A Portrait of the Visual Arts in Canada
•Adventures in the Endless Pursuit of Entertainment
•Alberti's Window
•Andrea Joseph's Sketchblog
•Art and Architecture, mainly
•Art For Small Hands
•Art Fully Yours
•Art History Rag
•Art or Idiocy?
•Artists and Ancestors
•ArtSmartTalk
•Bibliodyssey
•Blog of an Art Admirer and History Lover
•CAROL SLOANE
•Conversations With The Muse
•Document
•Education in Music
•Felsen Musick
•Field & Floor
•Free Jazz Blog
•Ghostmap Microwave
•How a Poem Happens
•Illicit Cultural Property
•Inadvertently Art
•Ion Arts
•IonaScribe
•Jana's Journal and Sketchblog
•Jazz Collector
•JazzProfiles
•Jerry Jazz
•Jessica Duchen's Classical Music Blog
•John Wilborn, EdS, Music Technology Instructor
•Jonathan Savage: Developing and applying arts educational research
•Journeys in Art
•Learn the Theory of Music
•Life Of A Musician - Robin Hill
•Listen101
•LondonJazz
•Making a Mark
•Medieval Wall
•Music Education Magic
•Music is Not for Insects
•Music Matters Blog
•Music Teacher's Helper
•Music, Education, and Technology: MusTech.Net!
•MusicEdMajor.net
•Music Teachers 911
•NobleViola
•Off the Coast Literary Journal
•On An Overgrown Path
•“Opera Rocks”™
•Opera Toronto
•OperaNow! THE Opera Podcast Website
•Percussion Education
•Phil Kirkman's Music Education and Technology Blog
•Pre Raphaelite Art
•Red Easel
•Round the World and Bach in support of Musequality
•SloaneView
•The Arts Fuse
•The Designer Pad
•The Digital Music Educator
•The Pictorial Arts: My Delineated Life
•The Rambler
•The Stark Raving Cello Blog
•The Textile Blog
•The Unlikely Entrepreneur
•Thomas J West Music
•UrbanMusicEducation.org
•Wagneropera.net
•What Music Means to Me
•Wrightstuffmusic, Music Education & Technology

A Week of Patti

I'm still in awe that I saw this performance by Patti LuPone and Audra McDonald live at the Drama League Gala on Monday night - what a thrill!  This concludes my week of Patti LuPone.

Tuesday, February 08, 2011

The Patti Gala

Yesterday, I volunteered at the 27th Annual Benefit Gala of  The Drama League at the Pierre HotelThis was the second year in a row in which I took a day off from my job to take part in the event and it was well worth it.   It involved assisting with preparing gift bags for the patrons and set up of the silent auction tables.   There were around 40 volunteers at this year's event.  It's not all work though - the camaraderie of this organization and its volunteers is fantastic and we, as volunteers, dressed up to the nines for this black tie event and also attend the gala performance. 

I assisted at the second registration table on the 5th Avenue side of the Pierre Hotel - it's a lovely setting and it was fun seeing all of the attendees looking so glamorous.  I enjoyed greeting Patti, who looked smashing in a flattering, understated black gown.   I also checked in John Doyle and William Ivey Long. 

Once we were released from our duties, we were able to enjoy the gala performance. 

This year, the Drama League Gala Performance was for Broadway star Patti LuPone.  Performers gathered to put on a show for her that celebrated her musical career - partly a roast, partly an appreciative celebration, all loving.

My friend Ronni, whom I met at last year's gala, and I had excellent seats - we were immediately behind the Callaway family, while Laura Benanti and Justin Guarini were seated next to me for a while and then switched out with Marc Shaiman and Scott Wittman. It was fun sitting with them - all were enthusiastic audience members and great, loud laughers.


When Patti's around, you get a good dose of the bawdy and last night was no exception.    The first notes heard were not live, but from Patti's own recording of "Don't Cry for Me Argentina" from Evita. Four scantily clad boy dancers entered and were joined by Christopher Sieber in a satirical medley of songs from Evita.   This would be the only Evita heard during the evening, despite it perhaps being the beginning of Patti's legendary career.   

Throughout the evening, Chris would continue to entertain the audience with readings from Patti's recent autobiography, Patti LuPone: A Memoir.  These readings also were offered by the voice of Patti herself via the audiobook.  These were met with much laughter, although sometimes it sounded a bit nervous with Patti right there in the room.    Chris also shared his own anecdote of being a very green Broadway performer at 24 years old and playing Frank against Patti's Annie in a reading of Annie Get Your Gun...I paraphrase when I tell you that it was an orgasmic experience for him.

It wasn't all fun and games, as some of the tribute was lovingly rendered.   Performers Justin Guarini, who recently played Patti's son in the musical, Women on the Verge, sang "As Long As She Needs Me", Emily Skinner sang "Sleepyman," and Liz Callaway sang "Meadowlark."   Ann Hampton Callaway sang "I Get A Kick Out of You," the song she auditioned with for a part that Patti got.  This was perhaps the best rendition of this Cole Porter tune ever, complete with scatting!   She then went on to compose one of her signature on-the-spot songs tailored for Patti from words suggested by the audience  - my favorite line: "When I saw you play tuba in Sweeney Todd, I knew there was a God."   Now that's poetry.  Frequent co-star Audra McDonald performed "A Parade in Town," from Anyone Can Whistle.

Chris Burke, Patti's son "Corky" in the television series Life Goes On also showed his appreciation in a lovely written tribute.  Patti shouted out her appreciation back to him, "I love you Chris!"  It was very sweet to see a middle-aged Corky.

More parody came from the "North Port Patti LuPone Memorial Glee Club" made up of Nick Adams, Chad Kimball, Will Chase, Daniel Reichard, and Montego Glover.  They paid tribute to Patti's regional and concert work at Ravinia, the New York Phil and Encores by singing a hilarious mash up of Annie Get Your Gun, Sweeney Todd, A Little Night Music, Sunday in the Park with George, and others.   Marc Shaiman and Scott Wittman performed a re-write of Cole Porter's "You're the Top"  - it was very funny and very sweet.   Patti's fellow Gypsy co-stars Laura Benanti and Boyd Gains performed re-write of "Everything's Coming Up Patti" and "Together," and brought a card-board cut out of Patti to round out their trio - things really got bawdy here with Boyd spending a little too much time with card-board cut out Patti.   

The musical finale of "Blow Gabriel Blow" was performed by James Monroe Iglehart, who was joined onstage by a 90 member chorus.  Patti was singing along from her seat at the table of honor.    This was a joyous performance and had the whole room singing and clapping along.  

Vanessa Redgrave took the stage to present Patti with the Drama League Award.  After speaking a few words of admiration, she said that other than the lines of Driving Miss Daisy, she has two other pieces memorized - As You Like It and the poem Everybody Sang by British poet Siegfried Sassoon, which she chose.  
 
Everybody Sang by Siegfried Sassoon
Everyone suddenly burst out singing;
And I was filled with such delight
As prisoned birds must find in freedom
Winging wildly across the white
Orchard and dark-green fields; on; on; and out of sight.

Everyone’s voice was suddenly lifted,
And beauty came like the setting sun.
My heart was shaken with tears; and horror
Drifted away … O but every one

Was a bird; and the song was wordless; the singing
will never be done.

We were treated to one last special moment when Audra McDonald joined Patti, Vanessa, et al. on stage, she said, "We can't end the evening without hearing a song from the Short One."  Patti proceeded to take a lyrics sheet out of from her bosom and joined in singing "Come On, Get Happy" - she threw the lyrics over her shoulder as they proceeded to blow the roof off of the Pierre.  It could not have been more thrilling!

The show and the special lyrics were written by Stephen Cole.  Other special material was written by Scott Wittman and Marc Shaiman.   The show was co/directed by Cady Huffman and Roger Danforth.  Cady also served as choreographer.   Roger Calderon coordinated the event.  Gabriel Shanks is the Executive Director of the Drama League.  Proceeds from the gala will fund The Drama League’s Director’s Project.  It is a program that aids young directors to assist well-known director, as well as stage their own productions during a festival in New York.  A service organization, the Drama League was founded in 1916 as a club and is now the premier association funding enhancement projects for theatre and its audiences.




Cardboard Cut-out Patti rounded out the trio of Boyd and Laura
 

Friday, February 04, 2011

The Drama League Benefit Gala for Patti LuPone


On Monday, February 7th, The Drama League  is honoring the one and only Patti LuPone at its annual benefit gala at the Pierre Hotel.  This year, the 27th annual, will feature performances in a musical tribute to Patti by Audra McDonald, Laura Benanti, Anika Noni Rose, Michael Cerveris, Scott Wittman & Marc Shaiman, Boyd Gaines, along with Christopher Sieber, Chad Kimball, Liz Callaway, Will Chase, Nick Adams, Emily Skinner, Justin Guarini, Michael Urie, James Monroe Iglehart, an ensemble of 90 performers, and “Life Goes On” co-star Chris Burke.  Patti's frequent and long-time collaborators David Mamet, Brian Stokes Mitchell, Mandy Patinkin and Stephen Sondheim are the Gala’s Honorary Chairs.

I worked as a volunteer at last year's 26th Annual Benefit Gala honoring Angela Lansbury and had a marvelous time.  The performance was to die-for and I expect nothing less this year. I am thrilled to be volunteering again this year for this amazing organization.  Plus, the Drama League knows how to throw an excellent party!  

There are still tickets available for the whole shebang, which includes an open bar cocktail party, perusal of fabulous silent auction items and a seated dinner, or through today only, you can purchase a ticket to the performance only, which includes everything but the seated dinner.  These limited available seats are $300 and if like last year, worth every penny. You can order these seats by calling 212-244-9494 ext 26. Ticket sales end on February 4, 2011.

Dame Lobster

I ask you, what American actress of such royal caliber as the Great Dame Judi Dench would put on a lobster costume with such panache for a tv commercial ?









Wednesday, February 02, 2011

Quote of the Day

"Leave 'em wanting more, baby!"

Mezzo-soprano Susan Graham, in "The Diva's Future: Susan Graham Is at the Top, But Where Else To Go?" by Zachary Woolfe for the New York Observer

Absolutely, and we do want more, baby!    Susan will be performing in Iphigenie en Tauride at the Met Opera from February 12 to March 5th and much to our delight although not for an entire year from now, in recital with Malcolm Martineau at Carnegie Hall on February 1, 2012.