Last night, Christine Brewer made her Carnegie Hall debut with her recital at Zankel Hall. I was expecting to hear her very big voice, but it was powerful in every sense of the word. It is big, but its warm quality is like dark molasses, slowly filling every empty space. Her high notes are thrilling, but her bottom register is practically sensual. The program was wonderful. I particularly loved her breathtaking performance of Wagner's Wesendonck Lieder, Op. 91. Christine subtly and tenderly captured every emotion - a surprise to me since I'm new to Wagner in general and expected only a glass-shattering dramatic soprano.
The text of the second half of the program was in English and here her fun personality shone through, as she conveyed every ounce of humor. The joy in her voice was the greatest discovery. It was only enhanced by the happy look on her face as she sang and comfortably talked to the audience. She seems to be quite a character and could probably talk up a storm. Song recitals can be thrilling or emotional, but they are most fun when there is joy and laughter. This was not lost on the audience who applauded long and loud at every opportunity.
Finally, she shared a cycle of songs she called Nightingale Songs that she put together in tribute to her first voice teacher and predecesor sopranos Helen Traubel, Eleanor Steber, Eileen Farrell and Kirsten Flagstad. Her teacher saved the programs of times he saw these sopranos and wrote notes on them, including their encores. She shared these: "Sing to Me, Sing", "Night", "Hickory Hill", "Love Went a'Riding", "If I Could Tell You", and "Hills". She got a big laugh when she invited us to sing along on "If I Could Tell You". She said that some of these are out of print, but that voice teacher left her all of his music when he passed away. What a lovely legacy and tribute.
Her encores were Harold Arlen's "I Had Myself A True Love", the hysterical "Review" by Dougherty(which reminded Sally and me of one of Ben Moore's comic songs ) and the traditional "City Called Heaven" arranged by Hall Johnson.
Craig Rutenberg was Christine's very able and even more good natured accompianist.
After, we went backstage to meet her, thanks to a mutual friend. The backstage corridor was filled with happy people and Christine was the head of it all, laughing and being wonderful. I'm seeing her at least twice more this season - in Elijah with the Boston Symphony Orchestra at Carnegie Hall (Stephanie Blythe too!) and in Misssa Solemnis with the New York Philharmonic at Avery Fisher Hall (Stephanie Blythe too! + Eric Owens, whom I just had to meet last night too).