Sunday, October 19, 2014

The Turn of the Screw at Everyday Inferno Theatre Company

Henry James' thriller The Turn of the Screw is currently on at Everyday Inferno Theatre Company.   This stylized production is adapted by company member Jamie Wylie and is eerily set in the Morris-Jumel Mansion, Manhattan's oldest house. 

Setting the production in the Morris-Jumel is certainly inspired.   It was built in 1765 and served as headquarters to General Washington during the Revolutionary War.   It is said that ghosts are in residence and on a chilly night in a very quiet section of Washington Heights, I certainly felt a chill.

Ms. Wylie has set James' tale in the late evening after a dinner party: a well heeled guest shares a supposedly true story of suspense over after dinner drinks.  It's far past dark and the only lighting is moody and fraught with anticipation.   The production is simple and elegant, nuanced by Anais Koivisto's direction and period costume design.  She allows the evening gloom at Morris-Jumel be a  character in this production.  

The piece moves seamlessly and swiftly and is very well acted, particularly by Meg Kiley Smith as the Governess slipping into madness and Victoria Blankenship as the well-meaning Mrs. Grose.  The are joined by a fantastic company of Leslie Gauthier, Leslie Marseglia, James McCloskey, Graham Miles, Sam Ogilvie and Scott David Reeves.  Ms. Marseglia is admirably calm as the eerie Miss Jessel.  Most of the company does double duty portraying characters and effectively transition.   Suprises in scenes had me gasping and jumping in my seat, a testament to the execution of this company.  

The combination of execution of this classic story, an inspired destination setting and the season guarantees a satisfying evening for any thrill seeker....much more satisfying and immersive than any contrived haunted house during this Halloween season. 

Everyday Inferno Theatre Company offers this production The Turn of the Screw at the The Morris-Jumel, just two blocks off the C train stop at 163rd Street, through November 2nd.  Tickets are available via Brown Paper Tickets
photo by Anais Koivisto

photo by Anais Koivisto


Wednesday, October 08, 2014

A perfect symmetry: Marian and Noah

On Monday night, after experiencing one of the most thrilling nights of live performance, I returned home to learn that Marian Seldes had passed away.   My first thought was:  perfect symmetry.  

The thrilling night of theatre was Andrew Lippa's I AM HARVEY MILK at Avery Fisher Hall.   I was transported to so many nights of thrilling theatre and live performance and the fact that my friend Noah Himmelstein had much to do with so many of them - either sitting at my side, recommending a show to me, or in this case, directing the piece.   

Dear Marian Seldes.  She lived, breathed, and fairly exuded theatre - either on the stage since the 1940s or in seats, almost every day.   She officially taught acting at Julliard and at other theatre programs, but also by her actions and her enthusiasm.   Any day with a theatre ticket was a good day for her.  She was kind, beautiful and always wore purple, possibly a subconscious choice to reflect her inner regalness.

In the summer of 2007, I finally had the great pleasure of seeing her perform on the Broadway stage in DEUCE, starring opposite Angela Lansbury.   It was a dream to see these two actresses and I went many, many times.  From memorizing their lines - their delivery even - to greeting them at the stage door, it was my perfect Broadway summer.  

On July 4, 2007, Noah Himmelstein accompanied me to see  Marian and Angela in DEUCE.   He was already an associate theatre producer but he was working toward his goal of directing.  I know he was taking in more than just the performances of those two theatre legends.  We naturally gravitated to the stage door after in hopes of greeting them. 

It was one of those perfect serendipitous moments of being in the right place at the right time when I made Noah's photo with Ms. Seldes.   To me, the photo captures all of the volumes of love and knowledge passing from the great actress to the next generation of theatre professional.  

Later that fall, I had the photo enlarged and asked Ms. Seldes to autograph it for Noah.  She agreed to do so only if I would, in turn, provide her of a copy autographed by Noah.   Via associations, Noah went on to occasionally accompany Ms. Seldes to various theatre productions.  The learning between master and student continued.

We would occasionally run in to Ms. Seldes around the city - usually at the theatre - after the run of DEUCE finished.   One special occasion was after Barbara Cook's birthday concert in November, 2007 at Avery Fisher Hall.  Before we entered the hall, we saw our dear Ms. Seldes who said "Aren't we lucky to be here? I'm so excited. Barbara's so wonderful and I think she's such a great actress."

Ms. Seldes caught up with Noah and me as we were leaving. I said, "Marian, well, what did you think? Wasn't it perfect?" She replied, "Oh yes, it was perfect. Now we know there is a Heaven and she is an angel."

On Monday night, seven years later, I was celebrating after another glorious night involving my dear Noah Himmselstin at Avery Fisher Hall.  I couldn't help reflecting that certainly our Marian Seldes was there, this time as an angel, in that Heaven of live performance.

Noah Himmelstein & Marian Seldes, July 2007

Monday, October 06, 2014

I love this album: Ghostlight by Betty Buckley

Autumn in New York has been many things to me over the last 10 or so years - a calendar blissfully full of openings of new shows, opera, concerts at Carnegie Hall and the New York Phil...and especially Betty Buckley.

Betty is back in New York and this time, she's brought her new album GHOSTLIGHT with her.   She'll be at Joe's Pub all of this week performing songs from this delicious new album.   Oh my Lord, I can't wait to see her and immerse myself in her sound.

Ghostlight is produced by legendary artist T Bone Burnett.  Betty Lynn and T Bone go way back to their young lives in Fort Worth, Texas.  This album evokes all that comes from a long friendship - full of hope and love but also all of the things that all the years of living will do to you.   

Betty is that rare modern girl singer - she takes Broadway songs and standards, makes them her own and performs a full show with each and every stanza.   Her voice takes me places I didn't know how to get to on my own.  There's a lustful jazz sound to this album, sometimes completely mournful and then she moves on with a steely demand that all is hope and cheer despite the juxtaposition of the dissonant chords.  Betty's cutting, yet tender vocals are map of every human emotion.  Les you think this is an album of full of angst and longing, it's downright sexy too:  Body and Soul might make you drop everything to slow dance with your lover.

Besides all that, Ghostlight just sounds damn awesome.   It was recorded at The Village in Los Angeles, CA.   The session musicians are a who's who and include Bill Frissell on electric guitar and T Bone Burnett himself on acoustic guitar.  Betty Buckley was involved in all of the arrangements, and on my favorite of the tracks, If You Go Away (from Jacques Brel) Betty co-arranged with Bill Frissell. 

It's the type of album just makes me want to hit repeat over and over again.   Buy it on iTunes, Amazon or order directly from Palmetto Records - the liner notes are gorgeous.   Get to Palmetto thru Betty's beautiful site

Buy the album then go see Betty this week at Joe's Pub down on Layfayette.  Next week, Betty is teaching her song interpretation workshop at the T.S. Schreiber Studio.  She's also doing a couple of extra concerts in the area - on the 12th, she'll be out at the Bay Street in Sag Harbor  and on the 18th she'll be in concert at the Tilles Center in Long Island.   In November, she heads to San Francisco for a series of performances at Feinstein's at the Nikko. 

Thursday, October 02, 2014


Dearest Friends,

If you don't already have a ticket to I AM HARVEY MILK at Lincoln Center's Avery Fisher Hall on Monday night, get one! Ticket prices start at only $40.

Here's the thing about I AM HARVEY MILK: it's technically termed a choral oratorio, but it's so much more. I think of it as cantata meets Broadway meets opera. I saw it at the inaugural performance in San Francisco and can't wait to see it again. My heart swelled and my mind opened larger than they had ever been before from what I learned and felt with this piece.

It is a biography of Harvey Milk, the first openly gay elected official. But to me it was more than just about Harvey Milk and being gay. It's about being true to yourself and who you are, respecting others for who they are and celebrating life. It transcends Harvey's personal story into all of ours, gay, straight, male, female, whatever.

The piece is a collection, sort of a song cycle, of solos and choral numbers. It's very theatrical - heart wrenching, emotionally soaring, joyful!

There's a young boy singer, who sings the role of the young Harvey, a soprano who sings a sort of generic role of "mother" and "teacher" (at this one it's Kristin Chenoweth; I saw Laura Benanti in San Francisco, in LA it was Alexandra Silber), a men's chorus (this time made up of Broadway leading and chorus performers), and a tenor who sings Harvey. Harvey is being sung by Andrew Lippa, the composer and lyrcist of this piece. Accompanying the piece is the prestigious Orchestra of St. Lukes.

I'm also very excited that my dearest friend Noah Himmelstein has collaborated on this work with Andrew Lippa and directed it from the start. Noah has created a truly magical staging, intricately delicate but bold and inspiring.

Please find me before and after the performance, outside of Avery Fisher Hall near the center pillar of the walkway. I want to say hello to each of you! 

Sunday, September 07, 2014

You Can't Take It With You on Broadway Needs More Kittens, Less Snakes

I was happily charmed when I attended Bloggers Night at  You Can't Take It With You last week.  Now playing at the Longacre Theatre on West 48th Street, the Moss Hart and George S. Kaufman classic runs until January, 2015.  

The cast is headlined by Rose Byrne (a lovely Broadway debut) and James Earl Jones.  Kristine Nielsen, as mother Penelope, steals the show.   Annaleigh Ashford, as daughter Essie, is a close runner up for thief of said show.  Also on stage are Elizabeth Ashley, Joanna Day, Julie Halston (she's always everything you want her to be), Byron Jennings, Fran Kranz, Mark Linn-Baker, Reg Rogers, Will Brill, Patrick Kerr, Marc Damon Johnson, Karl Kenzler, Nick Corley, Austin Durant and Joe Tapper.

And there are kittens!   And snakes.  The only thing this production needs is more kittens, less snakes.  MORE KITTENS!

Jeffrey Richards and his producing partners have once again done what they do best - bring a fantastic ensemble together on a gloriously decorated stage to bring a historic comedy to life (remember Blithe Spirit and The Best Man?  Although, let's not forget August, Osage County - another genius ensemble play but a drama, produced by Richards et al.)

You Can't Take It With You first played on Broadway for 838 performances, opening at the Booth Theatre on December 14, 1936.  It was revived on Broadway in 1945, 1965, 1967, and 1983.  In 1938, Frank Capra directed the film version starring Jimmy Stewart and Jean Arthur. 

If you're on the fence about seeing it, I beseech you to see it for Kristine Neilsen - she is an absolute genius and one of the very best of the American stage.  I loved her last season in Vanya and Sonia and Masha and Spike.

Friday, August 29, 2014

All Signs Point to Pre-Order at

Betty Buckley is coming back to sing in New York!   She'll be performing seven shows at Joe's Pub October 7-11th.  My anticipation is palpable!  I haven't seen her sing live for almost two years.  Tickets are available online by clicking here  or by calling Joe's Pub at  212.967.7555.  

Currently through September 7th, Miss Betty Lynn is in Horton Foote's stirring play The Old Friends at the Alley Theatre in Houston. I saw her turn as "Gertrude Hayhurst Sylvester Ratliff" at the Signature Theatre here in New York.  It was the first time I had seen Betty in a straight play and I was completely blown away. The depth and realness she portrayed was emotionally cutting. 

On September 16th, Betty's much anticipated recording Ghostlight, produced by fellow legendary Texan and long time friend T-Bone Burnett will be released.   The album is available for pre-order so you get it immediately upon release (because who can't wait to hear this!) via the Palmetto Records site, or follow the links from   The album is available on cd or on vinyl.  There's also a limited edition vinyl and cd with art box - the photos are gorgeous! 

Meanwhile, fans and friends of beloved Betty are showing their spirit for the upcoming album release:

and my contribution since I rented a car last weekend:

Thursday, August 28, 2014

Well, I've been watching Noah for a while...

From Baltimore Style Magazine, Ones to Watch by Ian Zelaya:

Noah Himmelstein, theater and opera director

Noah Himmelstein is certainly making a name for himself in the theater world. Having directed numerous plays and operas including “Things I Left On Long Island,” “Positions 1956,” and “Loving Leo,” his latest project is the 12-movement oratorio “I Am Harvey Milk,” which has been a monumental achievement for the Pikesville native and Carver Center for Arts and Technology graduate. Part choral work, part theater, “Milk” follows the life of the first openly gay man to hold public office and has been performed seven times around the country over the past two years—the most recent being a massive reunion show featuring more than 500 men from choruses and orchestrasacross the country at the Walt Disney Concert Hall in Los Angeles. “It’s the most extraordinary thing I’ve been a part of,” Himmelstein says. “My mission is to combine opera and theater.” “Milk” can next be seen Oct. 6 at Avery Fisher Hall in New York City, starring its writer/composer Andrew Lippa and Kristin Chenoweth.