Showing posts with label Angela Lansbury. Show all posts
Showing posts with label Angela Lansbury. Show all posts

Tuesday, August 26, 2014

DigitalBelle

Finally, FINALLY, Prettybelle is available digitally.   This album was barely available at all and one had to obsessively comb thru ebay stalls to get even a vinyl recording and pirated rips burnt up the interwebs.   It is now available via Amazon, iTunes and CDBaby.
Prettybelle is the bizarre musical about an alcoholic manic depressive who puts herself out as a prostitute to pay restitution to minorites whom she has learned were lynched by her deceased sherrif husband.  Sounds great, right?  Well, the music was by Jule Styne and Bob Merrill and it starred Angela Lansbury.  It tried out of town in Boston...audienced were stunned...walked out...and Angela threatened to boycot it if it actually moved to Broadway.   The show only lasted for just over a month from February to March, 1971. 

It's based on the 1970 novel "Prettybelle: A Lively Tale of Rape and Resurrection" by Jean Arnold.  Somehow, I doubt she ever envisioned that it would be the basis for a musical. 

Yet!  The music is amazing, glorious and addictive.   Plus, some of the lyrics are among the dirtiest ever written.  The eleven o'clock number, When I'm Drunk I'm Beautiful, is the stuff of which made Angela Lansbury a legend - it's a mind-blowing belt of a song that is as thrilling as any theatre song ever performed.  

The original production was never recorded but in 1982, just after Angela's Tony Award Winning and Golden Globe Winning run in Sweeney Todd and before she was in the Broadway play A Little Family Business and the revival of Mame (and shortly before the epic run of Murder, She Wrote) Bruce Yeko brought most of the original cast to make a studio recording.   A CD was re-issued in 1993 by Varese Sarabande. 

As Angela Lansbury herself told me back in 2007, " Oh well, some of those songs are very, very good. Some are very, very bad."


 
 



Sunday, November 17, 2013

Angie at the Oscars

Angela Lansbury earned two Oscar nominations in succession when she was only a teenager - for Gaslight in 1944 and The Picture of Dorian Gray in 1945. She earned her third nomination for the role of a lifetime as Mrs. Iselin in The Manchurian Candidate in 1962. Angie has five Tony Awards for her stage work and six Golden Globes for various film and television work. She holds the record for the most Emmy nominations, eighteen so far, and has yet to win. She just celebrated her 88th birthday on October 25th. It's rumored that she's about to head to London for another revival of Blithe Spirit. She's also talking about returning to Broadway in a revival of The Chalk Garden. Yesterday, she finally was awarded the much deserved honorary Oscar for her body of work - 70 years in show business with over 50 films, numerous television and stage credits. Brava and thank you, Angie, for continuing to inspire me.

Sunday, November 04, 2012

Angela Lansbury: THE CHALK GARDEN!!!!!

I've been waiting to find out if the clue in the photo of Angela Lansbury's desk in the New York Magazine Shoot that appeared last May was anything.  Finally, she reveals to the Sydney Morning Herald that, "...already anticipating a role in New York this time next year in the Enid Bagnold play The Chalk Garden."

Photo: Francois Dischinger

Monday, October 01, 2012

From my Reporter Down Under : Driving Miss Daisy

My great Aussie friend Glenda sent me this photo of the giant advert for Angela Lansbury and James Earl Jones in the upcoming Driving Miss Daisy at the QPAC in Brisbane. Glenda and her husband invited me to come along with them.  I admit I was tempted to have a go and head Down Under, alas, I've got other irons in the fire.  Glenda will just have to report in after she sees the play in February.  Good on ya, Glenda!

Angela vs Angela: It's a tie!

From the NYT One Page Magazine:



Note: Although I love it, I do not consider Murder, She Wrote to be Angela Lansbury's "crowning achievement." I consider it her stage career, where she has thrilled audiences regularly since the late 1950s, and especially in Mame, Dear World, Gypsy, Sweeney Todd, and specifically me in person, in Deuce, Blithe Spirit, A Little Night Music and The Best Man.  She may have garnered 18 Emmy and 3 Oscar nominations, but she earned 5 Tony Awards, four for Best Actress in a Musical.

Thursday, September 27, 2012

Angela Lansbury Google Alert

Between the publishing of the Autumn/Winter edition The Gentlewoman and the news of the next Wes Anderson film, The Grand Budapest Hotel, my Angela Lansbury Google Alert has practically exploded.

The photo on The Gentlewoman is by photographer Terry Richardson.  He posted some additional photos of Angie to his blog.   Kids, the lady turns 87 on October 16th.  If these photos of her don't inspire you to clean up your act, nothing will.




Tuesday, June 12, 2012

New Cast for The Best Man

photo by Kevin Daly
In case you couldn't already tell, I enjoyed the revival of The Best Man so much that I went three times.   In fact, the third time I attended was a charm:  thanks to my facebook friends, I was "endorsed" as the best candidate to win a set of tickets, a window card signed by the entire cast and a merchandise package.  

It's an astonishingly relevant play about the backstage deals that go on behind a presidential nomination, written in 1960 by Gore Vidal.  The entire cast is superior and the production is classy.   I was excited to hear that the production would extend past it's initial limited run that was slated to end the first week of July.  

Today, I received a press email that some of the cast, including Angela Lansbury, Candice Bergen, Kerry Butler and Erik McCormack will depart and be replaced for the remainder of the run thru September (not than anybody could ever replace Angie in my heart). 

It's a really exciting replacement cast:   Elizabeth Ashley, Cybil Shepard, John Stamos and Kristin Davis.  Ms. Ashley previously took on the role of Sue Ellen Gamadge in 2000 in a brief run that earned the 2001 Drama Desk Award Outstanding Revival of a Play.  This is a Broadway debut for Ms. Davis and Ms. Shepherd.  

Ms. Shepherd, Mr. Stamos and Ms. Davis will begin performances on Tuesday, July 10, 2012 at 7:00pm, while Ms. Ashley will begin on Tuesday, July 24, 2012 at 7:00pm. Original cast members James Earl Jones, John Larroquette, Jefferson Mays, as well as Mark Blum, who replaced the injured Michael McKean , will remain with the production through its final performance on Sunday, September 9, 2012.

Tuesday, June 05, 2012

Barack on Broadway

Last night I attended the presidential re-election campaign fundraiser for President Barack Obama, billed as Barack on Broadway.   The headliner of course was President Obama, but I was initially drawn in by the chance to hear President Bill Clinton speak again, as well as the promise of a Broadway concert at the New Amsterdam Theatre on Broadway.

The ticket prices ranged from $250 to $1,000, the latter of which included a special reception.  I only splurged on the former and it was absolutely enough for a very exciting and satisfying evening.

I received instructional emails which included an option to pick up my ticket in advance at the campaign headquarters on 5th Avenue at 27th Street.  I chose this option because I had never been to a presidential campaign headquarters.  It turned out to be only an empty office with volunteers handing out tickets to attendees.  I received additional instructional emails regarding where to que for the theatre and what not to bring.  The list of what not to bring was long, some standard (no weapons of any kind, of course) and some a little ridiculous- no coolers, no laser pointers, animals and umbrellas - but I guess they have to cover the bases.  

Because the ticket indicated 7:00 p.m. curtain, I arrived extra and unnecessarily early.  But it allowed me to chat with a few supporters in line and enjoy a restful time in my seat S21 of the orchestra (great seat!).  I enjoyed the hustle and bustle of volunteer staff, paid staff, police, and Secret Service agents.   Finally, at 8:00 p.m., the big donors shuffled in loudly and somewhat obnoxiously, and  slowly took their seats.   My level of impatience and anticipation was near the explosion point by now!  

When the curtain finally went up, there was Patti LuPone, who brilliantly sang "Everything's Coming Up Roses!"  What a way to open the show!     She was followed by "welcome" who turned out to be Neil Patrick Harris.   He talked about highlight changes we've seen over the last almost four years - end of war in Iraq, end of Osama bin Laden, economic growth, repeal of Don't Ask, Don't Tell in the military, and of course, President Obama's support of marriage equality.  

Next on the bill was a "Marriage Medley" performed by Megan Hilty and Cheyenne Jackson.   The very cute and well done medley included "Marry the Man Today," "Old Fashioned Wedding," "Married," and "Marry Me a Little."   It ended with Nina Arianda and Bobby Cannavale each carrying a floral bouquet on stage, she joining Megan and he joining Cheyenne.   It was great fun.  

Next on was Angela Lansbury, wearing the gorgeous red dress she wore to the Tonys, looking lithe and youthful. She strode all the way across the stage unaided by the cane she's been carrying as of  late.   The applause was long and appreciative and all she had to do was just stand there.   She read a speech, that she said she had a "hand in," that drew on imagery of the presidency and theatre.  She said she couldn't wait for Act 2 of President Obama's presidency.  

Then Mandy Patinkin took the stage and offered a contemplative and hopeful rendition of "Over the Rainbow" with only piano accompaniment.   He ended the final verse with a we instead of an I  - "And the dream that you dare to, why, oh why can't we?"  It was lovely, indeed. 

Next was a reading of "America Sings" which was a compilation of writings by various individuals, including Whitman, Twain, Toni Morrison, Wilder, Jefferson, Washington, Hammerstein, Updike, Steinbeck, Edison, Lincoln, Roosevelt and others.   It was read by Nina Arianda, Bobby Cannavale, Stockard Channing, James Earl Jones, Hettienne Park, Patrick Wilson, and Jeffrey Wright.  The actors sat on stools in a long row and read from scripts on music stands.   It was exciting to see them all there and the readings were a mix of poignant, profound and funny. 

Chuck Cooper then took the stage with "Let It Sing," by Jeanine Tesori and Brian Crawley, followed by Norbert Leo Butz with "She Likes Basketball."    Chuck played harmonica and soulfully danced around the stage, captivating with his gorgeous deep baritone.   Norbert was on crutches, with a broken ankle.  He talked about sharing his love of basketball with President Obama and changed the lyrics of the tune to  my president and he.  It was great fun and he did a dance break with crutches choreography. 

Audra McDonald entered and asked Patti LuPone to join her.  Audra was slated to sing "First You Dream" by Kander and Ebb, but instead she and Patti sang the duet "Happy Days are Here Again."  It always fun to see them to this, and clearly they love singing it together, although it didn't have quite the emotional punch that we would have gotten from Audra's thrilling mezzo with "First You Dream." 

Tony Kushner followed this duet by reading an essay that he had written for the occasion.   It was a million brilliant, funny, audacious and true words crammed into five minutes.    I wish I could remember the words and hopefully it will be published because he did steal the first act, hands down.  He had us all agreeing and cheering and I, for one, wanted even more from him.   

The Act 1 finale came with Kerry Butler and the Barack on Broadway Ensemble performing Stephen Sondheim's "Our Time" from Merrily We Roll Along.  It was a good way to get ready for the evening's big second act.  

After a short intermission, finally here came the real stars of the evening.   First President Clinton took the stage.  It was thrilling seeing him speak again, this being my third time since his first presidential campaign, and frankly there will never be anybody better at public speaking in my opinion.   He spoke about President Obama, the nation, what we've done and what we must do.  His bottom line, "I don't think it’s important to reelect the President; I think it’s essential to reelect the President -- if we want this country to go in the right direction."

President Obama then joined President Clinton to address us.  I think it was a standard stump speech, but he did say it was good to be back on Broadway (there was a similar fundraiser in 2007; in 2008, there was a Broadway for Change concert also headlined by Audra McDonald, which Noah and I attended).  He added, "let me thank my producer [Margo Lyon]. That’s usually what you do when you’re on Broadway." He went on to tell a very funny story about Margo, who has produced many Broadway shows, sending him a fake mustasche so he could take a walk in disguise in Central Park.  

President Obama had us in his hands with highlighting the good that has been done and what we still have to do and how we can do it.    I appreciated his and President Clinton's remarks about the automobile industry being "saved by a financial agreement that had management, labor and government restructuring the company."  I wanted to shout out for my bosses in the work that they did (and yes, I worked on it too) for General Motors. 

I also very much appreciated President Obama's stump for healthcare:   "We’re not going to go back to the days when somehow women couldn’t get the preventive care that they need. We don’t need a situation where women aren’t controlling their own health care choices. We don’t need to eliminate Planned Parenthood. I want my daughters to have the same opportunities as my sons. That’s part of what America is about. We’re not turning back the clock. We’re not going backwards."  

Both speeches by President Clinton and President Obama are on the official White House website.  To read, click here.

For Act 2, most of the performers positioned themselves in two of the boxes on the right of the proscenium .  I loved the juxtaposition of these actors- Cheyenne, Megan and Audra sitting in a row, behind them Patti sitting on Mandy's lap while Stockard was propped up behind them; Bobby, Nina and Kerry, et al. sitting together in the rear box .  All different in their craft but united behind President Obama.   

Seeing one president live and in person is exciting but seeing two is experience that I don't know I'll ever have the chance to repeat.  Before I went in the theatre, I talked to my 7 year old niece Cara who wanted to know what I was up to.  I told her that I was going to see President Obama at a concert.  She said, "Barack Obama?  The President of the United States of America? Wow."   She sounded in awe, and frankly, I was in awe myself.  




Wednesday, May 02, 2012

Quote of the Day

 “If I hadn’t had theater to go back into, I would have sort of fizzled out, ignominiously,” [Angela Lansbury] says to Boris Kachka, New York Magazine, April 29, 2012 .   Click on the link to read more and see photos of her apartment.

Angela is 86 and still goes to work everyday, plus lends time to multiple charitable events.  Is there any wonder why this woman inspires me?

She's just one of the great reasons to see The Best Man on Broadway.  I've been twice and luckily will go again next week!  I can't wait.

Photo: Francois Dischinger for NY Mag


Tuesday, March 13, 2012

First Preview of The Best Man on Broadway

Even though it was the end of a very busy period at my day job and the eve of an out-of-town trip for which I hadn't yet packed, I couldn't resist catching the first preview of The Best Man on Broadway last Tuesday. I have not missed a first preview of any show Angela Lansbury has starred in since she returned to Broadway in Deuce in 2007 and I really didn't want to start now.  I bought my last minute ticket at TKTS.  

The Best Man stars Angela Lansbury, James Earl Jones, John Larroquette, Candice Bergen, Eric McCormack, Kerry Butler, Jefferson Mays, Michael McKean, Dakin Matthews, Sherman Howard, Donna Hanover, Angelica Page, and Corey Brill.  

Gore Vidal's play, written in 1960 and set in 1960, is about two presidential candidates at the party convention, each vying for the nomination.   The candidates are played by John Larroquette and Eric McCormack.   James Earl Jones plays a former, extremely popular president, from whom they are both hoping to obtain an endorsement.   Candice Beren and Kerry Butler play the potential first ladies.  Michael McKean plays Larroquette's campaign manager while Jefferson Mays plays a former colleague of McCormack's.  Angela Lansbury plays Mrs. Sue-Ellen Gamadge, an elderly southern lady who is the Chair of the Women's Division of the Party.

The moment you walk into the Schoenfeld Theatre, you begin your time travel back to the 1960 convention.  The theater has been transformed into the floor of a party convention and there are old tv sets and patriotic flags everywhere and a speech with cheers from a crowd are heard over the sound system.  I felt my heart beat with patriotic pride just a little harder.  

The scenic design by Derek Mclane is absolutely fabulous, switching back and forth between two luxurous hotel suites and the stage of the convention arena.   Ann Roth's costumes are fantastic too, especially for Kerry Butler, who plays the young wife of candidate McCormack, and Angela Lansbury.   Angela's costumes are perfect for the woman of that certain age and station and add some hilarity to her already hiliarious portrayal of the Southern doyenne. 

The Best Man is over 50 years old, but unfortunately it is feels relevant.   I was shockingly horrified to hear the dialogue about birth control, polital pandering, adultery, mental health and homosexuality.  Even though it is a very funny play, the drama is riviting as are the twists and turns of events.   Even though no party affiliation is ever mentioned, I found myself siding with candidate Russell, played by Larroquette.  He is incredible in this performance.  In fact, the entire cast is incredible and it is thrilling to see them playing.   The only downside is that Angela Lansbury and James Earl Jones aren't in more scenes.  

At the first preview, during dialogue delivered by James Earl Jones, an audience member in the orchestra section suffered an attack.  Somebody from the audience called out for a doctor and Mr. Jones responded by asking the stage manager to get one.  The curtain came down promptly and we waited for approximately thirty minutes for the show to resume where it had left off.  Its the stuff of live theatre and it was thrilling, even with the illness.  With its three acts, it was a long evening but worth every minute.

The producers say that this is a strictly limited 18 week engagement.  Opening night is April 1st.   After the show last Tuesday the 6th, I tweeted that I would be going to The Best Man again and often.  It so happens that I'll be there tonight and I can't wait for the hilarity and drama all over again.    








Saturday, March 03, 2012

Vanity Fair Portrait: Angela Lansbury

Angela Lansbury is the subject of a V.F. Portrait in the April issue of Vanity Fair!  Her Sweeney Todd (and often Murder, She Wrote) co-star Len Cariou  pens the lovely portrait. The photo, by Annie Leibovitz, is taken on the stage of the Gerald Schoenfeld Theare where Angela is about to be eight times a week in The Best Man. Previews begin this Tuesday, March 6th.

Monday, January 23, 2012

Movie Adventure: Beauty and the Beast in 3D


I couldn't resist seeing the re-release of Disney's Beauty and the Beast on the big screen, this time in 3D.

It wasn't as if I was revisiting it since I first saw it so many years ago in Austin, Texas, but it was lovely to see it on the huge screen and hear the glorious score again. Clearly, animation has changed a lot since its initial release in 1991, but I still prefer the realistic look of these drawings to some more recent renditions (i.e. Tangled, in which the heroine's eyes look freakishly large). The 3-D effects weren't as bold as some of the recent movies I've seen, but they added texture to already lovely scenes, especially the "Be Our Guest" production number and Belle in her yellow ball gown.

For me, Alan Menken's score is still the most exciting factor in what sells this film. It was wonderful hearing it in dazzling suround sound. I loved hearing Jerry Orbach (and seeing his likeness) as Lumier and was reminded of how much we lost when he passed away. It was wonderful hearing Angela Lansbury as Mrs. Potts again as well. I remember watching it for the first time and realizing what a beautiful voice she had; I was a fan of Murder, She Wrote, but didn't know her other work at that time.

At the showing I attended at the Ziegfeld Theatre, which is one of the last of the glorious movie houses of New York City, was full of children of all ages. There were a group of young women sitting behind me that wept through the end, and for once, it didn't bother me. It's still a beautiful story told in gorgeous portrayal and I have to admit that even I teared up just a wee bit.

It seems to be running only through January 29th in New York City and I'd go again if only I had the time. Alas, I'll just have to settle for dvd or via iTunes on iPad.

Friday, December 30, 2011

Quote of the Day: Angela Lansbury + DiVaR Alert

"I'm not one of those people who sits in the dark, looking at their work from 70 years earlier," Angela Lansbury insists. "I'm really not."

From  "Angela Lansbury 'very grateful' for Turner Classic Movies spotlight and 'Murder' move" by Jay Bobbin for Zap2it, 12/28/11

That's okay, Angie; that's what I'm here for.

Important news in Bobbin's article:  of course I already own all twelve seasons of Murder, She Wrote on dvd,  but it's good to know that re-runs of the series are jumping from Hallmark to TV Land beginning January 1st; hopefully, the commercials will be a little more tolerable and not solely for the incontinent set.   But first, there are dueling marathons on New Year's Day - all day on Hallmark Movie Channel and a mini set on TV Land.  

Also, it's a good reminder that Angela is the TCM Star of the Month for January.  Here's the TCM line-up (times are Eastern):

Wednesday, January 4-5
8:00 pm Gaslight (1944)
10:00 pm National Velvet (1944)
12:15 am The Picture of Dorian Gray (1945)
2:15 am The Harvey Girls (1946)
4:15 am The Hoodlum Saint (1946)
6:00 am If Winter Comes (1947)
7:45 am Tenth Avenue Angel (1948)
9:00 am The Red Danube (1949)

Wednesday, January 11-12
8:00 pm State of the Union (1948)
10:15 pm The Three Musketeers (1948)
12:30 am Samson and Delilah (1949)
2:45 am Till the Clouds Roll By (1946)
5:15 am Kind Lady (1951)
6:45 am A Lawless Street (1955)
8:15 am – Screen Directors Playhouse: Claire (1956)

Wednesday, January 18-19
8:00 pm The World of Henry Orient (1964)
10:00 pm The Manchurian Candidate (1962)
12:15 pm All Fall Down (1962)
2:15 am The Court Jester (1956)
4:00 am Season of Passion (1959)
5:45 am The Reluctant Debutant (1958)

Wednesday, January 25-26
8:00 pm – Private Screenings: Angela Lansbury (2006)
9:00 pm – Sweeney Todd: Demon Barber of Fleet Street (1982)
11:30 pm – Death on the Nile (1978)
2:00 am – Mister Buddwing (1966)
3:45 am – Dear Heart (1964)
5:35 am – In the Cool of the Day (1963)
7:15 am - The Greatest Story Ever Told (1965)
 
I've seen all of these films except The Greatest Story Ever Told - I just can't get past the creepy Max von Sydow as Jesus. Otherwise, I suggest you watch them all but my Do Not Miss Picks of this screening festival are The Picture of Dorian Gray, Gaslight, If Winter Comes, Tenth Avenue Angel, State of the Union, The World of Henry Orient, The Manchurian Candidate, Death on the Nile, The Court Jester and Sweeney Todd.  Angela is not the star of most of these films, but she always turns out a stellar performance.  
 
It's remarkable to see a teenaged Angela handle the depth of the roles in Dorian Gray and Gaslight.   Angela garnered Oscar nominations for best supporting actress for both of these roles.   She is saucy and trampy in Gaslight, while she is tragic and meek in Dorian Gray.  We get to hear hear Angela sing for the first time in Dorian Gray, although it's before she developed her stage voice so it's very high and sweet.  Notable about Dorian Gray is that Hurd Hatfield, who played Dorian, introduced Angela to Peter Shaw, who would become her husband in 1949 until his death in 2003.
 
I first watched If Winter Comes to see Deborah Kerr, but the real hero of the film is Walter Pidgeon, whom Angela's character is married to.  Angela was 22 years old while Walter was a fairly old 50, although as dapper as always.  It's a melodrama, but Walter plays a delightful and kind man. Janet Leigh plays the ingenue in her second movie role of Effie, the character that Angela wanted to play and even stood up to Louis B. Mayer to get...instead, he stuck her in another bitchy, way older than her years role, even though they were often bridge partners. You won't want to miss this one on TCM, because it isn't available on dvd. 
 
Tenth Avenue Angel is a sweet film starring child actress Margaret O'Brien while Angela plays her aunt.  It's really a Christmas movie, but is always an uplifting look at life in depression era New York City.  You won't want to miss this one either on TCM, because it isn't available on dvd. 
 
State of the Union should be required viewing for all politicians.  It's the fast moving story of a would be presidential candidate whom is believed to be an outsider, played by Spencer Tracy.   Katharine Hepburn plays his wife, while Angela plays his mistress.  It's notable also because Angela's character is not just the backseat mistress, but a young woman who is pulling the strings behind her lover's candidacy and she runs a powerful newspaper. Spencer was Angela's senior by 25 years, but once again  Angela was once again called on to act way beyond her years. Katharine Hepburn was responsible for getting Angela cast in this movie and Angela more than holds her own against these two cinematic giants. 

The World of Henry Orient has become one of my favorite movies of all time.  It's set in New York City in the 60s and the city is practically a leading character as the two teenaged girls race through it's streets in adventures.  Angela plays the bitchy, cheating mother of one of the girls while Tom Bosley (Angela's future co-star in Murder, She Wrote) plays the girl's father.  Peter Sellers is a riot as the object of the girls' affection.
 
The Court Jester is an adorable, hysterical movie.   In a rare switch, Angela gets to play a beautiful princess and gets to be seduced by a very, very funny Danny Kaye.   Glynis Johns plays the beautiful peasant, also attached to Danny Kaye.  It's a riot of a movie.
 
Death on the Nile is a must for anybody who loves a good Agatha Christie mystery.  It's also a must because it stars Betty Davis, Maggie Smith, David Niven, Mia Farrow, Peter Ustinov, and Angela Lansbury.  It's an amazing ensemble cast.  Betty Davis delivers one hilarioius quip after another, while Dame Maggie is her downtrodden assistant.  In one of her most comedic turns, Angela plays the boozy, sex-starved authoress of trashy novels, "Salome Otterbourne." Also notable is that Peter Ustinov was married to Angela's half sister Isolde. 
 
Even though The Manchurian Candidate is black and white and is a political thriller about the cold war, it's a timeless film.  It's shocking, terrifying and Angela delivers a terrifying performance as possibly the most evil mother of all time.    She won her second Golden Globe for this performance and garnered her third nomination for the 1963 Oscar. 
 
Finally, most suggested, is Stephen Sondheim's Sweeney Todd: Demon Barber of Fleet Street.   Sondheim wrote "Mrs. Lovett," the meat pie wielding accomplice of Sweeney, for Angela and it's arguably her greatest role and one of the greatest of musical theatre. After winning the Tony for Best Actress in a Musical on Broadway in 1979, Angela took it on the road with George Hearn as Sweeney for an extended national tour.  In 1982, while in Los Angeles, the production was filmed (partially before a live audience) for television.  Both Angela and George were nominated in the same category for the Emmy - he won.  They also both won the CableAce Award.  It's Sondheim's greatest masterpiece, in my opinion, and is full of  both the most humorous and beautiful music ever written for the theatre.    

Thursday, December 15, 2011

Just in time for Angie Day 2012

The 6th Annual Angie Day is January 30, 2012 and plans are shaping up for the annual celebration.  First, with a huge huzzah!, Angela Lansbury is the TCM Star of the Month for January 2012.  Wednesdays in January will be chock-full of her movies, including Sweeney Todd with George Hearn!    Second, with perfect symmetry, January 30th is the first day of rehearsal for the new Broadway revival of The Best Man, which stars Angela.  

Wednesday, December 14, 2011

My Visit to Cabot Cove, Maine

On the last day of my recent California trip, I spent a day in Cabot Cove, Maine.   Actually, it was Mendocino, California, but it served as "Cabot Cove, Maine" for the twelve seasons of Murder, She Wrote, which starred Angela Lansbury as the murder mystery novelist. 

Driving up from San Francisco was a beautiful, if long and terrifying, roadtrip up the 101, cutting thru wine country and then a very winding road thru Redwood National Park, to finally hitting Highway 1 to Mendocino on the northern coast of California.  

When I finally hit the Shoreline Drive/Highway 1, I nearly cried from a combination of exhaustion and the site of that breathtaking view. Seeing in person the familiar coastline from the shots on the tv series that I had seen so many times was almost too much.  

Only nine Murder, She Wrote episodes where filmed in Mendocino, but throughout the entire run, Mendocino exterior shots were used in a number of episodes which were set in "Cabot Cove."


Mendocino itself seemed a nice small town.  There was lots of shopping to do on the main street, especially art and craft shops.   I luncheoned on a bowl of clam chowder, which seemed like a Maine thing to do.   The pièce de résistance was seeing "Jessica's" house.  It's now a bed and breakfast called Blair House.  Had I known that the drive would be so trying, I would have planned to stay overnight here  - one of the suites is named "Angela’s Suite" (however, interors of the house were not used in filming).   The harbor scenes on Murder, She Wrote were filmed in Fort Bragg, just about 10 miles north of Mendocino, so I checked out that area too.  

Aside from some postcards of "Jessica's" house, I didn't see any Murder, She Wrote memorabilia.   In the cafe in which I luncheoned, there were movie posters of all the films that Mendocino has served as location, notably Same Time Next Year, East of Eden, Racing with the MoonOverboard, among others.

It was a long day, but worth the adventure of seeing the location of my favorite tv series from the time I was a teenager. 










Sunday, October 16, 2011

Happy Birthday to Angela Lansbury!

Happy 86th Birthday Angie!  Hopefully we'll hear soon that you'll be back on Broadway where we need you!







Monday, July 25, 2011

Angela Lansbury, the non-singing character actress

Angela Lansbury is a "non-singing character actress."  So sayeth Anne Midgette, critic of The Washington Post, in her review of the production of SWEENEY TODD at Wolf Trap.   Specifically, she says of "Mrs. Lovett", "This role of the purveyor of meat pies made from the bodies of Todd’s victims is so often given to non-singing character actresses — Angela Lansbury, Helena Bonham Carter — that it’s a treat to hear it done by a real singer."   

So Anne Midgette, what are you saying it takes to be a real singer?  Is one a singer only if one sings operatic or classical musical?  Do Broadway songs not count?   

Are you saying that in the five musicals Angela Lansbury performed in prior to portraying "Mrs. Lovett," she didn't sing either?   That's right, five musicals:  ANYONE CAN WHISTLE, MAME, DEAR WORLD, PRETTYBELLE, GYPSY plus SWEENEY TODD.    She also repriesed her role in MAME in 1983 and also did a short stint as Anna in THE KING AND I.

Although I'm no expert, as supposedly the classical music critic for The Washington Post is, I have listened to these five musicals, plus SWEENEY TODD, and I assure you, Angela Lansbury was singing.   In fact, she won four Tony Awards these performances:  Best Actress in a Musical for MAME, DEAR WORLD, GYPSY AND SWEENEY TODD.  She also garnered a Golden Globe for her portrayal of Mrs. Lovett for the filmed production of SWEENEY TODD.  The recordings of MAME and SWEENEY TODD also won  Grammy Awards.   All of these productions were recorded as cast albums, plus most recently A LITTLE NIGHT MUSIC in which Angela Lansbury sings the role of "Madame Armfeldt."   She also won the Tony for Best Supporting Actress in a play for the role of "Madame Arcati" in BLITHE SPIRIT (too bad it wasn't the musical version, HIGH SPIRITS, because you know, she would have been singing).

Besides singing on stage, you know when she's just a non-singing character actress, she sang in the movies THE PICTURE OF DORIAN GRAY, 'TIL THE CLOUDS ROLL BY, BEDKNOBS AND BROOMSTICKSBEAUTY AND THE BEAST , BEAUTY AND THE BEAST - THE ENCHANTED CHRISTMAS, ANASTASIA and MRS. SANTA CLAUS.   Additionally, she sang at numerous Broadway concerts, on television variety shows such as The Danny Kaye Show, the Julie Andrews Hour and even a couple of times at The Oscar Awards and on Murder, She Wrote.  She even sang in a whole concert with the Mormon Tabernacle Choir!  

Now, I firmly believe that Angela Lansbury does not need anybody to rescue her from such a statement by Anne Midgette.  However, as a fan of many genres of music, including opera and Broadway, I feel the need to point out that there are many types of singing and yes, even character actors can and do sing.   Even though, of course, I'm no expert on such a topic, because you know, I'm not hired by The Washington Post to opine.  So, consider this, Anne Midgette, the next time you drop somebody's name in your review, perhaps you could check out their profile and work before you write about it.  You're entitled to your opinion, just as am I, but I do believe that it is arrogant and ill-informed to say simply announce that someone is a non-singer, especially Angela Lansbury, who of course is, unarguably, an excellent character actress and a singer.    









Friday, June 10, 2011

Annoyance of the Week

All week long I've been extremely annoyed by the headlines like "Angela Lansbury Says Lady Gaga Perfect for MAME on Broadway."   This particular headline comes from Broadwayworld, whom I find completely irresponsible in its reporting.   The original "news" came from The Showbiz Tonight website, The Showbiz Tonight webiste, which is apparently part of Headline News/CNN.   The entire interview doesn't appear to be available, only the part they thought was "newsworthy" and it's sandwiched in with Kim Kardashian and Jersey Shore news, so that should give you the context of what kind of "news" this is (read: trash).

Here is the transcript:
Showbiz Breaks News: Is Gaga going Broadway? Lady Gaga has just had a major shoutout from an acting legend. 85 year old Angela Lansbury has just revealed to Showbiz Tonight she wants Gaga to bring it to Broadway and play MAME, one of the stage’s most over the top eccentrics. Lansbury, who won a Tony for originating the role in 1966, tells us Gaga could pull it off, more or less. [cut to Angela mid sentence]

“…she could sure wear the clothes, that’s for sure. It would be another generational type MAME. I can’t imagine that, her singing ‘If He Walked Into My Life,’ but you know, anything’s possible.”
Does this sound like an endoresment to you?   It sure doesn't to me.   That being said, if Lady Gaga, whose work many of friends admire, really wants to come to Broadway then good for her and I wish her luck.   It's an established fact that I'd give anything to see a revival of MAME and perhaps its possible that it will need extraordinary star quality to make it happen, but dear producers, please sensible about this. I believe your extraordinary star is already right beneath your noses: Donna Murphy.

This clip of "If He Walked Into My Life" is from the 1983 revival of MAME, which Angela Lansbury starred in once again.